By Erin Hunter
The time has come for canine to rule the wild.
In the aftermath of the massive Growl that destroyed their urban, Bella and the Leashed canine have eventually settled within the wooded area the place there's lots of fresh water and prey. yet a fierce Pack of untamed canine has laid declare to the land, and their menacing Alpha will cease at not anything to make sure that it really is his alone.
Lucky has taught the Leashed canines a lot approximately survival considering they misplaced their longpaws, and so they refuse to back off. Bella hatches an complex plan to strength the enemy Pack away—a plan that facilities on Lucky's sly crafty and intelligence.
Though he nonetheless feels the pull of a Lone puppy lifestyles, fortunate has the same opinion to assist, figuring out that he can't go away his pals till they're secure. Now, fortunate can be proven in additional methods than one—and his activities will threaten the survival of either Packs.
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The time has come for canine to rule the wild.
In the aftermath of the massive Growl that destroyed their urban, Bella and the Leashed canines have eventually settled within the wooded area the place there's lots of fresh water and prey. yet a fierce Pack of untamed canine has laid declare to the land, and their menacing Alpha will cease at not anything to make sure that it's his alone.
Lucky has taught the Leashed canine a lot approximately survival in view that they misplaced their longpaws, they usually refuse to back off. Bella hatches an problematic plan to strength the enemy Pack away—a plan that facilities on Lucky's sly crafty and intelligence.
Though he nonetheless feels the pull of a Lone puppy existence, fortunate is of the same opinion to aid, realizing that he can't depart his buddies till they're secure. Now, fortunate may be verified in additional methods than one—and his activities will threaten the survival of either Packs.
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Additional info for A Hidden Enemy (Survivors, Book 2)
The third chapter discusses the short stories and essays of Ana Lydia Vega (1946–), who has used humor as an effective means to break out of the limited space that national culture assigns to women’s writing. She shows that women can appropriate ostensibly “unfeminine” genres such as the thriller, the detective story, and literary pornography. Her writing also parodies the genres that have been traditionally reserved for women, such as the romance novel and the children’s fable. She combines a panCaribbean perspective with an affinity for the French language and culture to depict Puerto Rican women who have not only crossed the threshold of the domestic domain but have taken flight and left the island altogether as tourists in other countries.
The fourth chapter considers the work of Pedro Pietri (1944–2004), who was born in Puerto Rico but, like many of his compatriots, migrated to the United States at an early age and wrote primarily in English. Pietri’s poetic, dramatic, and narrative texts explore the Puerto Rican diasporic identity through a mixture of surrealism and the absurd. The Puerto Rican voices in his texts live in New York as if they were simultaneously existing somewhere else; they take “mind trips” or “trip out” on drugs and alcohol to travel there and leave the harsh urban reality behind.
Let my verses blaze with the fury of a torch Calling forth raptures of a crazed witches’ sabbath (Antología 78)22 These inflammatory words are very similar to those of the libidinous character in José Zorrilla’s play Don Juan Tenorio, who seduces the chaste and naïve Doña Inés with a letter filled with sparks (“chispa”), a bonfire Nemesio Canales and the Politics of Humor 37 (“hoguera”), and a volcano (“volcán”) (151–52). 23 Yet Canales’s later writings begin to display an estrangement from his romantic idealization of women and, furthermore, an incipient seriousness in his socialist politics.