By William Gaddis
"Either the final precise masterpiece of the twentieth century or the 1st of our new millenium" —San Francisco Chronicle
William Gaddis released 4 novels in the course of his lifetime, large and complicated books that helped inaugurate a brand new move in American letters. Now comes his ultimate paintings of fiction, a sophisticated, centred end result of his paintings and concepts. For greater than fifty years Gaddis accrued notes for a publication in regards to the mechanization of the humanities, advised when it comes to a social heritage of the participant piano in the USA. within the years ahead of his loss of life in 1998, he distilled the entire mass right into a fiction, a dramatic monologue via an aged guy with a terminal sickness. carrying on with Gaddis's career-long mirrored image on these points of company technological tradition which are uniquely damaging of the humanities, Agape Agape is a gorgeous success from one of many undeniable masters of postwar American fiction.
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Extra info for Agap? Agape (Penguin Classics)
Jos 22:34 omits because the text is defective. omitting even the name that is given to the altar (Soggin 1972:211-12). Although 1 Sam 4:21 omits the noun Lucianic texts preserve the typical idiom and should be followed. Twice is omitted in Gen 31 :47 in an unusual formulation where a place is given two names in two different languages by two different individuals. The fact that the giving of the name is repeated in the next vene in the expected format suggests that v. 47 is a secondary element in the text (d.
Even the cautious King James version was not averse to inserting into the text a phrase such as "I said" (Job 32: 17) or "saying" (Job 33:8) in order to transform the following words into a quotation (only in the latter case do modem translations follow the AV). These examples are cited here in order to underscore the insufficient guidelines that the texts provide in order to adjudicate the presence of quotations when explicit DD markers are absent. It is one thing to be forced by the text to hear a new voice even though no DD markers are present (as in the Song of Songs and other texts discussed below).
Although translations are indispensable guides to alternatives, the limitations of English syntax and what is literarily tolerable may conflict with elements of Hebrew style. 1 When this happens, I will attempt to make a note of it, but there is no need for elaboration as to why it is not translated as DO. 4 DIRECf DISCOURSE PARTICLES IN HEBREW As noted on p. 4, some languages employ specific particles, either within or external to a quotation, in order to identify the marked words as direct discourse.